Nowhere Man

Chris Uhlmann wants you to know he’s a non-partisan, straight down the middle journalist. One of the stars of the reinvented post-Kerry O’Brien current affairs show “7.30” (apparently ‘Report’ is superfluous now), Uhlmann represents the new, bland, board-approved face of the public broadcaster’s current affairs coverage – as in whatever Read more…

The Last Commons

Five hundred years ago, English capitalist farmers began a process known as “enclosure of the commons”, the forced and wholesale appropriation of public land – formerly used by villagers for arable farming.  Now corporate forces, led by Rupert Murdoch, and agents of the political Right are attempting a similar manoeuvre on public broadcasting – the broadcast commons. The ultimate price is our democracy. (more…)

Noise Vs Signal

First it was the nightly weather, then the finance report and now it’s politics. There is a creeping conspiracy in television news of people standing in front of charts, taking the daily temperature – of meteorology, of markets and of members of parliament – and trying to persuade us that it all means something. (more…)

The End of the Affairs?

A truism about journalism is that it consists of applying six basic questions to issues of public interest: Who, What, Where, When, How and Why. In breaking news, journalists often will deal with the first four questions fairly readily. The last two are sometimes harder. Decades ago, public broadcasting sought Read more…

7.30 Something

After a build-up bigger and longer than the advertising campaign for Avatar (where were the 3-D glasses?), ABC Television’s revamped current affairs flagship 7.30 Report went to air for the first time on Monday under its “new generation” hosts the televisual Leigh Sales and Chris Uhlmann.

As expected, there was a new set – leaving the flame-haired Leigh up on her feet, weather and finance presenter style, and accompanied by an animated slideshow over her left shoulder.  While the graphics were a welcome addition in explaining number heavy stories (why has the ABC never used them before?), the actual package was depressingly formulaic, reflecting a style that hasn’t changed in television for 40 years. (more…)