The Outrage Business

As in drama, conflict drives the news business. The more black and white the conflict is portrayed as, the greater the passion the issue raises, the greater its confected ‘news’ value. Once a savvy media organisation works out what gets people worked up, it’s a fair bet it will go out of its way to construct narratives around those very issues. (more…)

The In Crowd

Sydney’s Sun-Herald this weekend runs a piece featuring former politicians of all colours decrying the rotten state of our politics – from the relentless dumbing down of issues, to the fake polarisation of views to create opportunities for adversarialism, to the rehearsed spin, to the chronic inability to undertake real reform and, as we are seeing now, to the blatant trolling of emotive issues about race and religion to garner cheap votes. (more…)

Punch and Judy Journalism

The Twitterverse, fingers poised on keyboards and 140 characters at the ready, has been excitedly awaiting the resumption of the ABC’s hit current affairs panel show, Q and A. The usual suspects are being primed to play their customary roles on either side of compere Tony Jones, the constable in this televisual Punch and Judy. (more…)

Itchy Triggers

The possibility of instant global publication, the growth of social media and the commodification of facts are accelerating the media’s drive to offer ‘analysis’ around news events. More ominously, and knowing reporters are looking for a point of differentiation, agents of power now routinely use social media to manipulate the official record in their favour before the facts are clear.

Of course, the problem with this is there is little evidence that asking ‘why’ before the traditional questions of ‘what’, ‘where’, ‘who’, ‘when’ and ‘how’ are answered is a recipe for good journalism. But commercial pressures, such as they are, encourage reporters to explain before they describe. And there are  plenty of voices out there feeding them lines to help them meet those pressures, while generating more heat than light. (more…)