The Dark Side Inside

Do people want the truth, or a dressed up and airbrushed version of the same? The difference in the dollar price between the two is the margin between journalism and public relations. While it shouldn’t surprise anyone that PR costs more than journalism, the hard part these days is distinguishing between the two.  (more…)

Locked Up

The Federal Budget is ‘The Big Day Out’ for the political and financial media in Australia. Busloads of hacks (only the lucky ones go by plane these days) make the long journey to late autumn Canberra to join their full-time press gallery brethren in what is a media and political ritual – a six-hour lock-up, a frenzy of writing and then off to The Holy Grail (these days the Kennedy Room, I’m told) to get stonkered till 3am. (more…)

The Hall of Media Mirrors

 

  • Former Finance Minister Lindsay Tanner has sparked a bitter storm within the Labor Party after publishing a tell-all book that exposes the inner manoeuvrings of the final days of the Rudd government.
  • Prime Minister Julia Gillard has attempted to laugh off revelations by former Finance Minister Lindsay Tanner of her role in the Rudd government dumping its Carbon Pollution Reduction Scheme.
  • Federal Opposition Leader Tony Abbott has seized upon revelations of extreme disunity with the former Rudd Labor government  from former Finance Minister Lindsey Tanner in a tell-all book.
  • The minority Labor government is hanging by a thread after frank admissions by former Finance Minister Lindsay Tanner in his new book revealed still festering divisions in the ALP.

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That’s Entertainment (Revisited)

At what point does journalists’ dedication to ‘neutrality’ obscure their obligation to reveal the truth? My post about a public form about ‘false balance’ in reporting on climate science, run late last year, has sparked feedback from one of the quoted forum participants – the Sydney Morning Herald’s environment’s editor Ben Cubby. Ben’s complaint, and I quote him in full below, is that I had taken him out of context.

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‘Reality’ Television

network With television increasingly dominated by the Outrage Business and shamelessly exploitative and cheap ‘reality’ shows, the 1976 Sidney Lumet-directed Oscar-winning movie ‘Network’ looks increasingly prescient. In this bitter satire of the effect that intense commercial competition has on broadcast standards, Australian Peter Finch plays Howard Beale, a TV demagogue so appalled by the profit-driven amorality of the network that employs him that he urges his viewers to turn their sets off. (more…)

The Truth Test

What responsibility do journalists have to tell the truth? If the commercial or ideological interests of their
employers require them to misrepresent an issue or incite conflict or exploit partisanship, what protections are there for the public against that deceit? And if journalists are the professionals they insist they are, what sanctions do they face for breaching the ethics of their trade? (more…)

Nowhere Man

Chris Uhlmann wants you to know he’s a non-partisan, straight down the middle journalist. One of the stars of the reinvented post-Kerry O’Brien current affairs show “7.30” (apparently ‘Report’ is superfluous now), Uhlmann represents the new, bland, board-approved face of the public broadcaster’s current affairs coverage – as in whatever Read more…

Noise Vs Signal

First it was the nightly weather, then the finance report and now it’s politics. There is a creeping conspiracy in television news of people standing in front of charts, taking the daily temperature – of meteorology, of markets and of members of parliament – and trying to persuade us that it all means something. (more…)

The End of the Affairs?

A truism about journalism is that it consists of applying six basic questions to issues of public interest: Who, What, Where, When, How and Why. In breaking news, journalists often will deal with the first four questions fairly readily. The last two are sometimes harder. Decades ago, public broadcasting sought Read more…